Want to write a book you can be certain no one else is writing? Pen something defending the press. Recent years have seen a spate of volumes denouncing American journalism. James Fallows lit bombs under the profession in Breaking the News, accusing top communications-industry figures of posturing, buck-raking, and even antiAmericanism. (His chapter on Mike Wallace so ruffled its subject that Wallace took to defending himself by saying that he shouldn’t be held accountable for comments made under the pressure of live television, a delightfully nonsensical position coming from a 60 Minutes correspondent.) Howard Kurtz, in Hot Air and Spin Cycle, presented modern journalism as an exercise bordering on self-satire, with the goal being to see which news organization could make itself seem stupidest fastest. Tom Rosentiel and Bill Kovach, in Warp Speed, depict the contemporary newsroom as spinning into a blur of unthinking hype. Now comes Republic of Denial and Rich Media, Poor Democracy, two more books that let the media have it with both barrels. Isn’t there anybody out there who likes the morning newspaper anymore?

Republic of Denial is by Michael Janeway, one of the country’s most distinguished journalists, a former editor of The Atlantic Monthly and the Boston Globe. It is Janeway’s thesis that all major American news organizations are in “denial” regarding “the story that the press has largely missed,” namely, that the country is falling apart. Janeway posits that the contemporary condition of the United States is far, far worse than television newscasters or newsmagazines are letting on: that modern American life is “a saga of reversal and loss” with US. cities “choking on dysfunction,” plague like diseases about to kill us, the plight of average people worsening, and “erosion of optimism and progress?’ Journalists are in “denial,” Janeway suggests, by refusing to report such bad news, preferring instead presidential sex scandals, celebrity divorce melodramas, and political insider-baseball. Nobody’s reporting the real, shocking, depressingly negative story.

This is a striking thesis. But after stating it, Republic of Denial essentially drops its own subject, saying little more about the condition of the country and switching to an analysis of the recent history of political journalism. If, as Janeway posits, the United States is actually falling apart, it seems that should be the subject of the book. Indeed, public interest would require an author to write on nothing else. But Janeway simply asserts this thesis with next to no documentation; he doesn’t even explain why, if the country is going to hell in a handbasket, the Boston Globe did not focus on this story while he was running it.

The few examples Janeway gives of “denial” subjects are debatable. For instance, he warns of an unreported menace of “back-from-the-dead bacteria more powerful than the postwar wonder drugs?’ But mutation among common germ strains, especially strep and staph, has received quite a bit of press coverage, including on national television; it was a headline story the week the galleys of Republic of Denial landed on my desk. And the issue is not bacteria becoming “more powerful” than antibiotics; rather, some are acquiring resistance, requiring that a new generation of drugs be tested and fielded. This is definitely a problem, but no budding disaster; by almost every measure, including high longevity and declining cancer incidence, US. public health is improving.

Janeway’s book is erudite and well-written, but the author seems not to have been able to resolve whether he was producing a treatise or a memoir. He spends considerable time reminding us that the news business is a business, and that is something every viewer and reader ought to bear in mind. But Janeway treats this as a sinister fact, never answering the obvious question: Well, what’s wrong with being a business? Republic of Denial devotes several pages to the arrival of Mark Willes as publisher of The Los Angeles Times. Willes is a former cereal marketing executive who scared the wits out of responsible editors like Janeway by suggesting that the time had come to take down the wall between advertising and editorial. The book presents Willes as the harbinger of a frightening future. Perhaps, but during Willes’s tenure The Los Angeles Times continued to be excellent—it now rivals for first-place in quality The New York Times, a fact not well known on the East Coast—and anyway, Willes has since left that job. Rather than a warning, the Willes term of office in Los Angeles seems a bump in the road.

Rich Media, Poor Media by Robert McChesney, a University of Illinois professor and eminent media critic, is a book all Washington Monthly devotees will find tremendously exciting, for it is perhaps the first volume ever to treat neoliberalism as important enough to be denounced. Big media conglomerates such as Disney (owner of ABC and ESPN) and TimeWarner, McChesney says, have expropriated the neoliberal philosophy (of traditional liberal goals sought by private-sector means) and used it as a cover for expanding their market power and profits. The Washington Monthly has been advancing the concept of neoliberalism for two decades now, and although this philosophy can claim constructive impact on public policy, few have taken neoliberalism seriously enough to get upset about it. McChesney gets upset; in fact, he considers neoliberalism a looming conspiracy. At last the Monthly stands accused of participating in a conspiracy! (On something other than Amtrak subsidies for West Virginia.) This, to the magazine’s loyalists, should be a red-letter day.

McChesney’s contention is that the expansion of big media conglomerates works against democracy by allowing establishment-flavored opinion to dominate the news. He notes, for example, that Disney has jumped from a $2.9 billion company by sales in 1988 to a $25 billion concern last year, while Time-Warner jumped from $7.6 billion (combined, before its merger) in 1988 to $28 billion last year, mainly by snatching up media properties. A “noncompetitive, oligopolistic” media structure results, with dissenting views filtered out.

Rich Media, Poor Democracy, a carefully documented and detailed work, is surely right to caution against the effects on the news business of profit-oriented management. It is disturbing to think that the three largest media conglomerates—Disney, Time Warner and Rupert Murdoch’s News Corporation, whose bestknown holding is Fox Network—dedicate only a tiny percentage of their efforts to work of quality, while pouring billions into junk, junk, junk. (Including violence-glorifiying junk, which the entertainment divisions of Disney and Time-Warner now specialize in, caring not in the slightest about the psyches of the next generation.) McChesney is also right to caution that the Internet may not be able to sustain its present democratization effect on media, if the big boys gradually take it over, too. These are important points.

But Rich Media, Poor Democracy is undercut by a kind of non-reflective, conventional leftism. McChesney believes that the news produced by big conglomerates “is far from politically neutral or ‘objective,”‘ but seems here to be calling on the delineation of objectivity that equates to, “Objective news is whatever I agree with” He complains, for example, of “a virtual blackout of media coverage of the CIA,” this in a year when CIA failures on the Chinese embassy and Sudan bombings, the India nuclear blast and other issues have been a running headline item. He sees the withdrawal of the Time-CNN story claiming nerve gas use against US. deserters in Vietnam as suppression of an exposé, but seems to want so badly for this story to have been true that he gives no credence to the shaky, shaky sources behind the work. McChesney asserts that the big media don’t question defense spending, because “military spending is the one form of government largesse that directly harms no notable upper-class interest!’ But in the papers I read, the Pentagon budget is a running subject of critical coverage. All major newspapers and newscasts, for example, recently gave prominent play to a House subcommittee vote against the proposed F22 fighter, a Pentagon-infuriating story the media could be accused of overplaying, given that the vote was preliminary and inconclusive.

Both Republic of Denial and Rich Media, Poor Democracy are chock-full of erudition, facts, and quotes, but in the end suffer from a common problem in the very journalism they decry—after you finish these books, you feel that you understand the subject less than before you started. Perhaps this is because both volumes employ an implied golden-age argument, that once the media were scrupulous and effective, but no more. When was the media golden age, anyway? When big cities had four dailies, but most were openly ideological, usually conservative? When there were only three television networks, and anything that didn’t fit the standard primetime formula was never aired? When there Was no Web, so that readers couldn’t read and evaluate for themselves the source documents on which stories are based? The golden age of journalism occurred only in our minds. In the real daily interplay of media, opinion, and business, things may go well or poorly, but on balance, the news always seems to win out.

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Gregg Easterbrook

Gregg Easterbrook has published three novels and eight nonfiction books, mostly recently It’s Better Than It Looks: Reasons for Optimism in an Age of Fear. He was an editor at the Washington Monthly from 1979 to 1981.