The Raveonettes are an excellent band, and last year’s Observator was a fine album. This is one of that album’s best songs. In their live performance here, I’m impressed by closely they manage, with just two acoustic guitars, to reproduce an equivalent of their full, carefully layered studio sound.
Kathleen Geier is a writer and public policy researcher who lives in Chicago. She blogs at Inequality Matters. Find her on Twitter: @Kathy_GeeMore by Kathleen Geier