Cheryl Dunye’s arthouse classic The Watermelon Woman teaches Hollywood some important lessons.
Giulia Heyward
Follow Giulia on Twitter @giulia_heyward. Giulia Heyward is an editorial intern at the Washington Monthly.
Follow Giulia on Twitter @giulia_heyward. Giulia Heyward is an editorial intern at the Washington Monthly.
Cheryl Dunye’s arthouse classic The Watermelon Woman teaches Hollywood some important lessons.
A man turns himself in to police for old traffic tickets, tells them he has schizophrenia, and after an altercation at a Kansas City, Kansas, jail, is dead less than 48 hours later.
Keep readingSign up for the Washington Monthly newsletter to get our stories in your inbox. Opt out any time.